Yes, October 1st came and the status of my book is no longer "
forthcoming" but "
adopt me!"
Going on press to check color was a huge good thing to do. I was sick with a cold, but with tissues on hand, I took the LIRR out to East Rockaway, NY. where Sandy McIntosh, publisher at Marsh Hawk Press, picked me up and drove us to the printers, Sterling Pierce. After four tries we approved a better cover than Michael Arguelles, the color tech guru, had at first shown us. He was patient and ultimately shifted the cover to another machine that was able to deliver more contrast and saturation than the one printing the interior.
The interior looks really good, it helps to be on glossy brochure style paper. After getting a first set of proofs at home last month I'd adjusted color slightly on nine of the interior photos (too dark or too light) and now they printed just fine. I've created a color setting in Photoshop for each printer I use so the screen emulates their color. It's working, I'd guess about 90% on target, since a piece of printed paper will never be as bright as the stained glass effect of a glowing monitor. Or in design-speak, two different color spaces, CMYK vs RGB (like comparing Olive Oil to Popeye in a battle of color strength).
Digital color printing still isn't the equal of a traditional full 4-color press...but...it's gotten a lot better in the last several iterations of the machines that churn these pages out. The digital printers are basically a seven foot long photocopier. Traditional presses can be the length of an Olympic sized pool and wide as a semi! My photos don't depend on subtle shifts in skin tone, that
would be hard to do digitally.
Pocket Park, visually, is about mid-tone gray and tan geometric urban planes contrasting with saturated hues of water and foliage. An urban park in color. With poems in black ink Garamond.
Sandy asked me to pick some photos from the book to put on the Marsh Hawk Press gallery section of their website. And to talk about how the book came into being, including my experience working with digital color. So here is my day wearing three hats: poet, photographer, and book designer. All three happy.
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The skilled Michael Arguelles with me at Sterling Pierce, printers.
Due to head cold, I'm having a massive bad hair week. |
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| Sandy McIntosh, publisher at Marsh Hawk Press. |
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| 4 pages to a sheet. |
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Look! My title page! Sandy tends to blink into the flash,
honestly he looked lots happier than this. |
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| Good color all the way through. |
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| Approved to print & bind. |
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